Music at Masses Review: TAC Baccalaureate & St. Therese Alhambra

Was blessed this weekend to be present at two very beautiful masses, the baccalaureate mass for our son’s graduation at TAC, and a 7:30 a.m. Sunday morning mass at St. Therese’s in Alhambra, California. These masses were both very different and yet very much the same, one a huge celebration in a gorgeous church presided over by a bishop and half-dozen priests, with a amazing choir and organist, and all the pomp and ceremony one could want. The other was a low mass in a pretty parish church, with the only music being the typical Latin commons for the Kyrie (yes, it’s Greek, I know) Sanctus and Agnus. The priest also sang a bit of an old Marian hymn as an illustration of some point in his homily.

Arcade View
Our Lady of the Most Holy Trinity Chapel, Thomas Aquinas College, Ojai, CA

They were the same in their reverence, and in being directed to the glory of God and not the glory of men.

The choir at TAC is amazing. A school of 350 or so students can somehow produce a choir more than worthy of their beautiful church and school. There has long been a frankly shocking amount of musical talent at that school, given that there’s no music program as such (the students study music a little as part of their Great Books program). Yet in the now decade that I’ve been going down to campus, seems there’s always something musically excellent going on. At the family of the graduates dinner Friday night, for example, two different acapella groups founded or peopled by students, or both, performed, and both were excellent.

Interior of Our Lady of the Most Holy Trinity Chapel
Interior.

Saturday morning, the baccalaureate mass began at 8:30 in a packed church. Here’s my one and only complaint about that beautiful building: site lines from anywhere other than the nave are terrible. When it’s a full church, half the people are in the transept or side aisles, and might as well be outside for as well as they can see anything. This obscured vision is a result of the sanctuary being recessed enough to be mostly invisible from the transept, but mostly from a nave and side aisle design in a building that’s not that big. In gigantic cathedrals, it’s often possible to see fairly well from much of the side aisles, as the columns are farther apart and the nave wider. In Our Lady of the Holy Trinity Chapel, all you can see from 90% of the aisle spaces is the columns and the nave – the altar and sanctuary are totally blocked. Of course, for 95% of the masses celebrated there, everybody sits in the nave and it’s no problem, so this is a minor complaint, really.

The Mass began with Come Holy Ghost while the faculty and graduates filed in, followed by the chant Introit while the clergy and Bishop Barron processed in and the altar was incensed. The mass commons were some lovely polyphony I didn’t immediately recognize, most likely Palestrina, perhaps – one of that crowd. They also did motets for offertory and communion including Mozart’s Ave Verum Corpus, and more chant propers.

For the recession, the choir sang the hymn tune from Jupiter from Holst’s the Planets – an extreme case of redeeming some beautiful secular music, in this case, from the hands of a goodball gnostic astrologer. Lovely.

Or it seems you can just listen to it – here. Audio is a bit spotty, but you will get the gist. Bonus Bishop Barron homily.

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St. Therese of Lisieux, Alhambra, CA, interior.

The next morning, Mother’s Day, we – my wife, mother-in-law, our 15 year old son David, freshly-minted graduate Thomas, elder daughter Teresa, who lives in Alhambra, and our younger daughter Anna Kate who flew in from New Hampshire to surprise her big brother, gathered for the 7:30 a.m. mass at St. Therese’s and brunch afterwards. Younger daughter also is graduating, in one week! She had handed in her senior thesis Monday, defended it Thursday, then flew out Friday, flew back Sunday in order to take her finals! Insane, but typical – those two are only 20 months apart in age, and were often thought to be twins growing up (and fought like cats and dogs). Despite needing special permission to defend her thesis early so that she could leave Friday, and despite having to try to study for finals on the plane, she was not going to miss this.

Our older daughter Teresa helped arrange all this, picking up Anna Kate at the airport and putting her up, and driving her to the graduation. I love our kids! There are far better than I deserve, that’s for sure.

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Modern-ish, but lovingly executed and not unlovely. It’s heart, and the hearts of all those involved, are in the right place.

Mass was what you’d expect early on a Sunday morning – very low key. The people, which included a passel of Sisters of Charity (they always look so happy!), knew the chant propers and sang them well. Quiet, reverent and of course efficacious.

We may not often get to have the 90+ minute high sung mass celebrated in a great church by competent, devote people, but I’ll take a revenant low mass celebrated by people who care any day of the week. I’m grateful to all the people who helped bring about both masses, even and perhaps especially those whose devotion helped to transmit a culture in which such things can take place.

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Music at Mass Nano-Review 5/5/19

Due to scheduling requirements, we went to a Children’s Mass this morning that we almost never attend.

There’s nothing that elevates the spiritual experience of the Holy Eucharist quite like having a gaggle of pitchy tween girls sing praise tunes in a reverby box of a church building with rock band level amplification.

Image result for back to the future amp gif

The girls were darling, of course, which I suppose is the point. Have a nice Sunday!

Odd Lenten Hymns

In the comments to the last post, J. J. Griffing asked for examples of the sort of traditional Lenten hymns that are out of vogue in my little corner of the world, tunes which I find a little odd, but also miss. The oddness consists of two factors: dirge-like hymn tunes, and graphic descriptions of suffering and penance often described in archaic language. Some hymns have one, some the other, some both. Here goes:

Forty Days and Forty Nights

Forty days and forty nights
Thou wast fasting in the wild;
Forty days and forty nights
Tempted, and yet undefiled.

Sunbeams scorching all the day;
Chilly dew-drops nightly shed;
Prowling beasts about Thy way;
Stones Thy pillow; earth Thy bed.

Should not we Thy sorrow share
And from worldly joys abstain,
Fasting with unceasing prayer,
Strong with Thee to suffer pain?

Then if Satan on us press,
Jesus, Savior, hear our call!
Victor in the wilderness,
Grant we may not faint nor fall!

So shall we have peace divine:
Holier gladness ours shall be;
Round us, too, shall angels shine,
Such as ministered to Thee.

Keep, O keep us, Savior dear,
Ever constant by Thy side;
That with Thee we may appear
At the eternal Eastertide.

The tune here is very much a dirge, and the lyrics speak for themselves. I like it! Hymnody.org has this to say to say about the composer: George Hunt Smyttan. The tune is attributed to Martin Herbst, who died in 1681. Other verses have been added by other poets over the years, generally with the same flavor.

Here’s a cheerier tune:

The Glory of These Forty Days

  1. The glory of these forty days
    we celebrate with songs of praise,
    for Christ, through whom all things were made,
    himself has fasted and has prayed.
  2. Alone and fasting Moses saw
    the loving God who gave the law,
    and to Elijah, fasting, came
    the steeds and chariots of flame.
  3. So Daniel trained his mystic sight,
    delivered from the lions’ might,
    and John, the Bridegroom’s friend, became
    the herald of Messiah’s name.
  4. Then grant us, Lord, like them to be
    full oft in fast and prayer with thee;
    our spirits strengthen with thy grace,
    and give us joy to see thy face.
  5. O Father, Son and Spirit blest,
    to thee be every prayer addressed,
    who art in threefold name adored,
    from age to age, the only Lord.

This is great song, good tune, nice lyrics. Tune can go down the dirge road, although a musician with any sensibility would sing it at a decent tempo with a slight lilt, saving it from being a wade through molasses.

Honorable mentions include Lord, Who Throughout These Forty Days, which always cracks me up – the Lord doing a little clean up, tossing an extra 40 days that were cluttering up the place, and the classic and wonderful O Sacred Head Surrounded, which does get sung, but usually just on Good Friday. Now those are some graphic lyrics.

Stuff just came up. This will have to do for now.

3/31/19 Music as Mass Review: Improvements

It has been years since I’d attended a Sunday evening mass at our parish, because the last time I did, the amatuer rock band composed of aging ex-hippies sort of failed to provide the kind of liturgical experience with which I am most comfortable. To put it gently.

Yesterday, because I forgot that I was up for leading the Candidates and Catechumens out after the Scrutinies, I needed to catch a later mass – I usually catch an earlier one. So, off to the evening mass I headed.

And – the rock band was gone. The congregation skewed a bit younger, maybe, with more college-age and young adults. Otherwise, looked like the usual UN subcommittee meeting we get at our parish – here comes everybody. Pretty sure all the inhabitable continents were well represented, although I’m a bit unsure about Australia.

But I knew something really different was in store when a woman went up to read the first reading – in a mantilla. Whoa. I think the elderly boomers in the band heads would have exploded, had they been there. Then, we sang the common Latin Sanctus and Agnus. It was good and peaceful. I was and am grateful.

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Not like this Although if you’ve got it, work it, ladies.

Unfortunately, we sang modern, marginally appropriate songs for the other musical spots in the Mass. Many of the traditional Lenten songs are frankly a little weird, as in Volga Boat Song style dirge-like melodies and perhaps uncomfortably direct language to the modern ear. I’m cool with them, myself, but can see how they might not appeal to people with more conventional sensibilities, especially as many people younger than 50? 60? have probably never heard them.

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More like this, just a wee bit more understated.

Nonetheless, a lovely, respectful mass with at least a little appropriate and good music. Seems things can change to the better, thank God.

A Cultivated Mind

Just kidding! I think!

Here I wrote about how I’m trying to help this admirably curious young man for whom I am RCIA sponsor on his intellectual journey. I’m no Socrates, but I do know a thing or two that this young man is not going to pick up at school, that would be helpful to him and, frankly, to the world. Any efforts to get a little educated and shine a little light into the surrounding darkness seems a good thing to me.

I figure I’ll give him a single page every week or so when I see him, with the offer to talk it over whenever he’s available. Below is the content of the second page; you can see the first in the post linked above. We started off with a description of Truth and Knowledge. I figure the idea of a cultivated mind might be good next. We’ll wrap it up with a page on the Good and one on the Beautiful, and see where it goes from there.

Any thoughts/corrections appreciated.

A Cultivated Mind

A cultivated mind can consider an idea without accepting it.

What is meant by a “cultivated mind”?

Like a cultivated field:

  • Meant for things to be planted and grown in it
  • Weeded of bad habits and bad ideas
  • Is cared for daily

A cultivated mind

  • is what a civilized and educated man strives to have.
  • is not snobby or elitist.
  • Is what is required to honestly face the world.
  • Is open to new ideas, but considers them rationally before accepting them.

How do you cultivate your mind?

Reexamine the ideas you find most attractive:

  • Have you accepted them because you like them, or because you examined them and believe them true?

Carefully review all popular ideas:

  • Have you accepted them because to reject them might make you unpopular?
  • Have you really examined them before accepting them?

Double your efforts to be fair when considering ideas you do not like:

  • Can you restate the idea in terms that people who accept it would recognize and agree with? If not, you are not able to truly consider the idea.

NOTE 1: To engage ideas, listen to and read what people who hold those ideas say, especially when you don’t like them or already disagree. Hear and understand what the idea really is before you can consider it.This takes discipline and time.

NOTE 2: This is a life-long project, always subject to revision. Guard against over certainty, avoid exaggeration. Do not pretend to know what you do not know. Acknowledge that some things are difficult, and can only be known partially.

Follow the Dominican maxim: “Seldom affirm, never deny, always distinguish.”

Image result for monsters vs aliens B.O.B totally overrated

“Forgive him, but as you can see, he has no brain.” “Turns out you don’t need one. Totally overrated!”

 


Concrete Sins: Update

In the comments to the previous post, Richard A linked to this, this, thing, playfully nicknamed Our Lady of Minas Morgul, and I had to share:

I’m somehow not surprised that this is a real Catholic church building, St. Francis de Sales (who is doing 1,000 RPMs in his grave at the moment) in
Muskegon, Michigan. I was surprised, although I should not have been, that googling this structure yielded many articles *praising* this building. A fine example of Bauhaus, Modernism, Brutalism – you know, just what the typical Catholic in the pews wants in his church building.

While a comment at the above link mentions the obvious goal is evangelization of the orcs, I had to surf around a little to find some pithy, real world reactions, such as these from reddit:

  • “It looks like the Borg assimilated a group of Lutherans.” (I laughed)
  • “This looks like where you fight a final boss”
  • “This could literally be a building in 1984”
  • “Looks like exactly the type of place you would serve the flesh and blood of someone to others.” (ouch!)

Going back a few posts to those discussing the heresy of Americanism. In 1899, Archbishop Gibbons answered the Pope Leo XIII’s concerns about Americanism with firm assurances that nothing of the sort was going on; by 1964, a parish in Michigan is hiring a famous Modernist architect to design its church. (Aside: where does a parish get the money to hire a famous German Bauhaus architect? And the money to build the monstrosity?)

I’m sure there’s no connection.

Here’s a slightly more flattering picture of the interior:

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And a quotation from William Torrey Harris: “The great purpose of school can be realized better in dark, airless, ugly places…. It is to master the physical self, to transcend the beauty of nature. School should develop the power to withdraw from the external world. ” The purpose of school is, according to Harris, making obedient automata out of the students. So, what is the purpose here, in an environment so suited to Harris’s ideal?

As for praise, no less an oracle than Concrete Construction Magazine assures us that this building “fully demonstrates the architectural potential of cast-in-place concrete construction.”   Who could doubt it?

So, any of youse guys got anything ‘better’ than this?

Concrete (and Wood and Steel) Sins

May God forgive us for modern church architecture.

Have we turned the corner on terrible church buildings yet? I sometimes think we have, but that may be just me putting the blinders on so I don’t have to look at this:

There is nothing to recommend this building. It is preposterous and ugly by any standards. That it claims to stand in the line of the many noble and glorious cathedrals around the world is an insult to our intelligence.

Or this:

Image result for san francisco cathedral
This building, on the other hand, is not so terrible in and of itself – it would make a daring convention center – and has been enholied by the beautiful masses celebrated there, especially by the current archbishop. But in and of itself, as a church? Not so much.

Or this:

Oak Cathdrl 1.jpg
Wouldn’t this make a great Apple Store? The bomb-shelter greenhouse look will come back into vogue some day, eventually, and we’ll be ready for it! Not so ugly in and of itself, but insulting when compared to the thousands of much-beloved churches around the world.

and pretend they are anything other than hideous abominations, insulting to both God and man.

Ya know? Or this:

Image result for newman hall holy spirit parish
Berkeley Newman Center. If it weren’t for the sign out front, you’d be hard-pressed to identify it as a church. Looks like a detail from rejected plans for the Maginot Line.

The bomb shelter look was big. I remember reading about the Los Angeles Cathedral, how they took care building it to last 500 years at least. This is achieved by deploying thousands of tons of concrete and steel. Unlike many ugly parish churches, which probably have a 50 or so year life expectancy before the repair/tear down calculations starts to get (mercifully) interesting, these monstrosities are built to last. If the goal was to burn through the Church’s money while saddling her with repulsive buildings for generations or centuries to come, the outcomes would not have been any different.

The L.A. Cathedral is in a class of its own – there’s just no redeeming it, artistically. It is a giant, $200,000,000 middle finger to the Catholics of L.A. To get rid of it is almost impossible. I fantasize that a billionaire might come along, buy land next door, and build a huge beautiful Neo-Gothic or Romanesque Revival church, seamlessly incorporating influences from Mexico, the Philippines, Asia, Africa and so on in order to honor the remarkably world wide nature of L.A.’s Catholics, and then offer it to the diocese. The underlying tensions would thus be exposed. And L.A. would get a nice church.

At least in San Francisco and Oakland, one gets the feeling they were trying for something good, even if they went about it under the constraint that whatever was built must rebuke the pre-Vatican II church. The unhealthy compulsion to be different, which has lead to many bad fashion decisions and questionable tattoos on a small scale, leads to stuff like this when writ large:

These are a few of the approximately 800 louvres, I guess you’d call them, that make up the walls of the Cathedral of Christ the Light.

Louvre mania! And an imposing image peeking past the cables and braces!

These features appear to be slabs of laminated 2 x 12s, bolted to laminated uprights(1) with some seriously industrial looking galvanized hardware and bolts. They would make excellent work benches and picnic tables. Here? Oh, I’m sure there’s an artist’s program somewhere that describes how they are meant to let in the light in some deeply meaningful way that only a uncultured peon would fail to understand.

The effect is just weird. Like I say, not irredeemably ugly, just – weird. With 2,000 years of church architectural experience to draw on, this is what you do? Only if hell-bent on rejecting all that collected experience and wisdom.

I cherish my visit to the Shrine of Our Lady of Guadalupe in La Crosse, and my many visits to Our Lady of the Most Holy Trinity at Thomas Aquinas College, as both buildings are very beautiful and built in the last decade or so. Beautiful and appropriate churches can still get built, if people want to build them.

Obligatory note: over the centuries, many people have pushed and pulled church architecture in many different directions with greater and lesser success. Gothic, after all, was an innovation at one time. I’m not wedded to any particular style or approach, as long as it strives to embody the true, the good and the beautiful. For a century now, many architects have actively rejected those ideals. Such should not be let anywhere near a church design project.

Final funny (at least to me) moment: Youngest son and I were visiting the Oakland Cathedral for a Boy Scout function, when a mom came up to me (I was just sitting there! Minding my own business! I swear!), pointed at the huge image of Christ Enthroned, and asked: “What is He doing with his right hand?”

Somebody thought a 70 foot tall heavily pixelated image of Christ partially obscured by structural members was a good idea, the dominant and central statement of the building. Right.

I answered honestly that he was giving a blessing, and that such images – Christ enthroned giving his blessing – are quite common. She was hesitant to accept this, but eventually gave in. “I thought he was flashing a peace sign. I was afraid they’d gone hippy on us.”

“I have no comment.” I smiled.

  1. I have to think the external frame, or a steel core to the uprights, or most likely both, are actually holding this thing up. Those louvres have got to be heavy.