An honest and fair reader is due an account of how the following manuscript came into my possession, so that he might properly judge the frankly fantastical story to be discovered therein, the veracity of which I, myself, am now reluctantly convinced despite my initial incredulity.
Having heard through the popular press of the now-infamous Horatio G. Bloomincracker, doctor of botany and prodigious collector of curious tribal artifacts, of his sudden disappearance 15 years ago and his unexpected re-emergence from the darkest India jungles, of the curious artifacts found in his possession and his simultaneous appointment to a chair at Oxford and a cell at Bedlam, and the subsequent and possibly related reduction of much of the Midlands to a smoldering crater, it was with some not mild trepidation that I received an invitation to meet the great man.
I am of some reputation as a botanist myself, as the reader is no doubt aware. Having traveled the world in an ongoing if so far futile attempt to obtain specimens of the legendary Walking tree of Dahomey, I am more acquainted than most scholars with the various lands and peoples of this fair globe. Thus, there is a logic to Dr. Bloomincracker’s decision to unburden himself to me. Such is my fate: to share his burden, and to make known his travails, as a cautionary tale to all of humanity.
Bedlam was chosen for the fateful meeting, as Oxford was all booked up. I was shown to a large and not unpleasant anteroom with a lovely view of the lawn and the howling psychotics that peopled it, not so unlike similar facilities at Oxford. I had heard Dr. Bloomincracker’s health had been failing, which would hardly surprise any reader who knew the tale.
The great man entered the room on the arm of the Dean of Divinity, a Reverend Schoppinvax, who steered him into a chair facing mine. After the briefest of introduction, the good Reverend made his departure as if his hair were on fire.
Dr. Bloomincracker appeared before me as a glorious ruin. A man who in his youth had first made his name as a bear wrestler was now withered and hunched, although not yet 50 years of age. His once thick black hair was reduced to a motley of grey thatch and bare, splotched pate; his once imposing frame a twisted hulk; his fine broad forehead as lined as a map of Khartoum; his expressive lips and strong chin now hidden behind a wooly mustache and a goat’s beard. His attire had suffered in a similar manner: what had been once proper morning dress was now a wrinkled, grease stained mockery.
His notorious blue eyes, rumored to have had a dramatic effect on both truculent natives and the weaker sex, were now watery and reddened, and focused, it seemed, at two different distances behind, above and to the right of my face.
Without further ceremony, he reached into his waistcoat and produced a bundle of withered banana leaves, upon which were scribbled, perhaps in Sanskrit but certainly in wax pencil, something utterly inscrutable.
“Read this!” he demanded. A look of confusion must have passed over my face, but the good doctor did not seem to notice. Instead, he again stuck a hand into his waistcoat and produced a small package wrapped in a scrap of cloth.
“Would you like to see the Artifact?” He thrust the package at me without waiting for the answer. I took it gingerly in hand, and unwrapped it as the doctor fidgeted eagerly.
The cloth disgorged into my palm a small metallic oblong about the size of a robin’s egg. On each side was carved a squatting frog-god, on one side with eyes and mouth gaping, on the other with them closed. The remaining surface was curiously graven everywhere with indecipherable runes. A blood red and unshaped gem was savagely afixed to one end. I was struck with fear: it looked for all the world like a trinket one might pick up at a country fair, albeit from a country with very poorly developed aesthetics. I felt a sudden urge to toss the Artifact out the window, but feared I might harm one of the psychotic with which the lawn below was thick.
Before I could speak, the good doctor began telling me the tale that follows.