As noted in earlier posts, the Late Unpleasantness at our school has somehow unlocked whatever it was that was keeping me from writing fiction, as the recent flash fiction-alanche here demonstrates. (No claims to quality, here, just noting simple existence.) Today, after I impose on my long-suffering wife to do a final proofreading, I’ll be submitting a story for publication, a 4,200 word trifle. What’s not a trifle: overcoming my self-defeating self criticism long enough to hit ‘send’.
Wish me luck. Further notices as events warrant.
Moving from the ridiculous to the comparatively sublime, or at least from the whimsical to the mundane, writing up some basic marketing and business planning docs for a startup. This project also entails doing market research and honing a product idea to a scary-looking point. In other words, using the skills I’m institutionally certified to possess in order to eventually make money happen. What a concept!
It’s been surprisingly fun so far. Wish me luck, and even say a prayer or two if so inclined, please. Again, further notices as events warrant.
Next up, while I’m sleeping better than I was during Holy Week and Easter Week when all this gender theory nonsense was coming down at school, I still have some tossing and turning time to read in bed. But as I don’t want lights on in case they keep my beloved from sleeping, I’m stuck with choosing among the hundred plus books on my Kindle. Just as I read Honor at Stake late on night because it was there (it’s pretty fun – check it out), I’ve now begun A. Merritt’s The Metal Monster for similar reasons. The Prologue of this work is the proximate cause of the flash fiction trifle Prolegomenon to Any Future Old School SF&F Adventure recently posted here.
Merritt’s prose pushes right past purple to solferino. But that’s cool – ultimately, writing is writing, and style or convention is far less important than having something to say and saying it well. I like Moby Dick and Last of the Mohicans not despite but because they are so over the top by modern standards. And I am indebted to Merritt for the word impedimenta, a fine, evocative and colorful term.
What the heck, here’s an extensive sample: sunset in Tibet, from the first chapter of The Metal Monster.
Then a silence fell upon us. Suddenly the sun dipped down behind the flank of the stone giant guarding the valley’s western gate; the whole vale swiftly darkened—a flood of crystal-clear shadows poured within it. It was the prelude to that miracle of unearthly beauty seen nowhere else on this earth—the sunset of Tibet.
We turned expectant eyes to the west. A little, cool breeze raced down from the watching steeps like a messenger, whispered to the nodding poppies, sighed and was gone. The poppies were still. High overhead a homing kite whistled, mellowly.
As if it were a signal there sprang out in the pale azure of the western sky row upon row of cirrus cloudlets, rank upon rank of them, thrusting their heads into the path of the setting sun. They changed from mottled silver into faint rose, deepened to crimson.
“The dragons of the sky drink the blood of the sunset,” said Chiu-Ming.
As though a gigantic globe of crystal had dropped upon the heavens, their blue turned swiftly to a clear and glowing amber—then as abruptly shifted to a luminous violet A soft green light pulsed through the valley.
Under it, like hills ensorcelled, the rocky walls about it seemed to flatten. They glowed and all at once pressed forward like gigantic slices of palest emerald jade, translucent, illumined, as though by a circlet of little suns shining behind them.
The light faded, robes of deepest amethyst dropped around the mountain’s mighty shoulders. And then from every snow and glacier-crowned peak, from minaret and pinnacle and towering turret, leaped forth a confusion of soft peacock flames, a host of irised prismatic gleamings, an ordered chaos of rainbows.
Great and small, interlacing and shifting, they ringed the valley with an incredible glory—as if some god of light itself had touched the eternal rocks and bidden radiant souls stand forth.
Through the darkening sky swept a rosy pencil of living light; that utterly strange, pure beam whose coming never fails to clutch the throat of the beholder with the hand of ecstasy, the ray which the Tibetans name the Ting-Pa. For a moment this rosy finger pointed to the east, then arched itself, divided slowly into six shining, rosy bands; began to creep downward toward the eastern horizon where a nebulous, pulsing splendor arose to meet it.
And as we watched I heard a gasp from Drake. And it was echoed by my own.
For the six beams were swaying, moving with ever swifter motion from side to side in ever-widening sweep, as though the hidden orb from which they sprang were swaying like a pendulum.
Faster and faster the six high-flung beams swayed—and then broke—broke as though a gigantic, unseen hand had reached up and snapped them!
An instant the severed ends ribboned aimlessly, then bent, turned down and darted earthward into the welter of clustered summits at the north and swiftly were gone, while down upon the valley fell night.
The other many, many books I’m supposedly reading have been a bit back-burnered (Again! Alas!) because dead tree editions are not easily readable in bed late at night, and daylight hours are pretty much filled up at the moment.
Finally, our massive Easter Octave Pizza Party was fun. My Fitbit said I walked over 7 miles that day – that would be mostly walking around in the hundred square yards comprising the kitchen, patio and pizza oven. My feet were a little tired by the end. Made 14 pizzas, 4 roast chickens and a few pounds of steak in the brick oven, in addition to a vat of guacamole and a double batch of ciabatta rolls in the kitchen. Moderation and I don’t see eye to eye.
Happy Easter Season!