Books: On John C. Wright’s general recommendation, got Writing the Breakout Novel, which I’m now reading. It is being helpful so far.
Also got Mike Flynn’s Captive Dreams. Been meaning to for a while. Now to find time to read it.
Also also, got Recovering a Catholic Philosophy of Elementary Education for when I get back on the education reading wagon.
Question: I use the Google news feed as “the news”, meaning if it appears there I consider it to have made the news, and if not, I don’t see it. Well? Does this seem fair? Prudent? I’m working under the assumption that Google is no more or less biased on the whole than any other means I could come up with to determine what is “in the news” at any given time.
Dumb Stuff: Speaking of which, a couple weeks back, I noticed in the news – the Google news feed, that is – that the markets, after pretty much uninterrupted gains since Trump’s election, had a few down days. Did the headlines say, as the often do, “Markets Pull Back as Investors Take Profits” or something like that? Is the Pope unambiguous? Headlines read, instead, that the honeymoon was over! Investor confidence in Trump had petered out. Sigh. Markets go up and down. If you knew why (beyond it being merely the mechanical result of people buying and selling stock), then you’d be rich – and not writing headlines. Ya know?
So now, the markets have resumed their irrational exuberance or whatever the cool kids are calling it these days. Do the headline writers give Trump credit? Like saying -“Oops! We Were Wrong About the Honeymoon Being Over” or in any way acknowledge that what they’d said a mere week or two ago was patent nonsense? Trump still appalls me, but not nearly as much as the out of control frothing attacks on him. Here’s a pro tip: Wait a bit, and Trump will do something objectively bad that you can clobber him for – every other president has. (He probably already has, but how is one to spot it among all the ravings and spittle?) Then you (the headline writers) won’t look so stupid to anyone with eyes to see.
Dumber still, I read and was writing an analysis of an essay by some Chicago reporter that was an attack on those with the temerity to point out that, wow, despite (?) a solid century or more of Progressive leadership, including lots of gun control, people in Chicago sure do seem to murder each other at a much higher rate than in other cities. We are assured the reasons for the 59% year over year increase in murder rate are complicated, and in any event invisible unless you happen to have lived you whole life in Chicago – I’m boiling it down a bit, but that’s what the residue lining the pot looks like when the boiling is done. And if you insist on pushing the question, you are by that fact alone acting with bad intent.
It was getting out of hand – there was so much misdirection (1) that I was getting pages into my analysis and was still digging yet more craziness up. So I stopped. Unless we can deal first with the facts instead of immediately playing the ‘it’s complicated, you can’t understand’ card, there is no discussion.
It seems, then, there is no discussion.
Writing: Finally, as mentioned above, I’m reading that Writing the Breakout Novel book, which is eating into my writing time, but I figure it will help in the long run. The first takeaway is not made explicitly, but reminds me of my callow youth, when I used to compose music. I discovered that – you’ll be shocked – coming up with nice tunes and pretty snippets of music was easy. Keeping fixed in mind where the whole composition was going proved much more difficult. Unless you want to write very short pieces, you have to know, on some level, where you are going before you start.(3)
Same with writing novels. I had all these cool tech and plot ideas. But where is the story going? How does it move from A to B to C? This may seem crazy, but I grabbed Jane Austen’s Emma to read, since I hear it has exactly what I’m most missing: complicated characters acting out of a variety of interest and talents toward different and conflicting goals. And it is otherwise completely different from what I’m working on.
Bottom line: I am not (yet) frustrated with the slow writing. I want to wrap up these explorations of technique ASAP, then just refuse to do any more until the book is done.
Hey, it’s a plan.
- e.g., in one linked article, the claim was made that more deadly weapons were now being used – I suppose they mean higher caliber? In one year? A commentator noted that Al Capone and his fellow solid Chicago citizens preferred .45 calibre Thompson sub machineguns that, at the time, were available for purchase at hardware stores. Yet, even counting the people Capone offed, there were still only 50 murders per year in Chicago, so blaming the increased deadliness on more powerful weapons seems a reach. For making this point, the commentator was called all sorts of names. Go figure.
- e.g., that, while Chicago’s murder rate keeps going up, cities like Houston have a flat murder count (despite a growing population) even though they have about the same racial & ethnic mix as Chicago and are about the same size.
- I love improve – probably what I’m best at – but those off the cuff compositions tend to meander, stick to very simple forms, or both. Or end up formless goo.