The family caught this flick again last night, and, upon a second viewing –
I like it even more.
This time, I watched with the Social Justice Warrior/Reactionary conflicts in mind, and discovered a great big ‘eh’. The movie is neither some sort of blanket endorsement for radical feminism nor an Affirmative Action set piece. As it totally appropriate in any good story and totally keeping with the vibe set in ANH with the Mos Eisley bar scene, race and ethnic background just don’t matter. Good guys and bad guys come in all shapes, sizes and colors – got it. Let’s get on with it.
Similarly, Rey has been praised to the heavens and mocked for being this female Jedi prototype who can whup full-grown human males despite giving up 50+ pounds of muscle. But in the actual movie, she never does that: her two most involved fight scenes involve a couple of thugs trying to steal BB-8 where she is armed with a fighting staff (which we see her carefully toting about in all earlier scenes) and her assailants aren’t really trying to get her, they’re trying to get the droid. A woman armed with a weapon against two humanoids who are not (or were not, at the start) focused on taking her down – yea? Then, later, in her light saber face-off with Ren, the movie goes out of its way to show us that he is seriously wounded, and is relying on the Force – so that, when Rey, also strong in the Force, fights him, it is not a battle of muscle primarily. It also bears noting that someone as skilled with a fighting staff as Rey might also have a good idea of what to do with a sword.
Much has been made about the hand-holding in the Finn/Rey escape from Jakku – he keeps trying to ‘save’ her, while she keeps protesting – and then they save *each other* in the Falcon. Note that Finn’s actions spring from complex emotions and a horrible backstory: Rey is the first human being ever to look at him as another human being, being a storm trooper doesn’t give one much opportunity to develop one’s interpersonal skills, and, as delightfully unlikely a warrior as Finn seems to be, he still thinks he’s the expert here, and should be doing the saving.
But what’s needed is street rat smarts, not he-man heroics – and Rey’s on her turf and has all the relevant smarts. So, while of course the big manly-man and little wispy woman aspect is not intended to be ignored, this ‘saving’ is more an example of how the whip-smart dame would figure something out ahead of the gumshoe, not any sort of statement that Finn is, metaphorically, a bicycle. In fact, in the end, the two of them are falling all over themselves about what a cool escape they made, and gushing with praise of the other – complementarity? (1)
When Rey figures out how to disengage the safety on her blaster, and then nails the first storm trooper she shoots at at 50 paces, she looks appropriately surprised (2). How she instantly became Annie Oakley could have used some more support, but at least they show that she, like us in the audience, is amazed she can hit anything at all. My son, who is much more into this sort of thing, was willing to buy that she is a crack shot, but unwilling to buy that she could be a crack shot with such wobbly shooting form. I only note that few if any shoot-em’-up movies could survive that level of criticism.
I liked Poe and Maz more this time around. Poe struck me as a cardboard pretty-boy hero character the first time, but after a second viewing he seems to have at least the promise of some depth; Maz was pretty good – the tough part is to make the wizened sage role something other than a stereotype, and she pulled it off, sort of.
Finally, I left the first viewing less than happy with the bit characters, thinking that too many had been shoe-horned in with too little screen time to be anything other than props. Not so much on second viewing. C3PO was annoying without being charming, and would not have been missed except, of course, he would have been. Other than that, Phasma and Hux are – OK. We’ll just have to see how they are used going forward.
I have mixed feelings about taking Star Wars as the defining myth of 2nd half of the 20th century or giving it some other equally exalted position in the world of ideas. It clearly has been enormously influential, but it has competition – on the light side (so to speak) are Tolkien and Lewis and even Miller in Canticle for Leibowitz; on the dark side is a mountain of nihilistic crap, lead perhaps by The Matrix (a movie I love but the series ends up as the worst sort of intellectual garbage). So I can see paying special attention to how the ongoing series tries to shape people’s ideas about the world. The solution is not going to be arguments, but rather promoting healthier mythologies.
- Women and pilots/men as gunners thing is straight outta Starship Troopers.
- One thing that bothered me more this time than the first time: we are both supposed to recognize Storm Troopers as real people through Finn, AND accept that they get gunned down in their thousands and tens of thousands without a moment of remorse or second thought of any kind. Well, which is it?